BTW, FUCK EVERY ASSHOLE WHO KEEPS SAYING THAT FROM SOFTWARE SHOULD CONTINUE BERSERK!
Dark Soul's writing style is nowhere near similar to Berserk. Just coz you imitate a visual style, doesn't mean that you also emulate the writing & mythos. Berserk has full blown political intrigue like a Tactics Ogre or Suikoden game, but I wouldn't label those two as anything like Berserk either.
Dork SOuls games don't have plots, they have background mythos. What people want to see from Berserk, are the mysteries finally being unveiled such as who is Skeleton Knight, Who really are The God Hand?, Will Casca stop being fucking retarded?, So is Zodd a gud guy or a bad guy?, Who the fuck is Guts & Casca's kid? (This is where the cliffhanger left off, lol.),
I never heard that anywhere else, but it's probably because people would be scared to bring up such a retarded opinion up to me.
I really don't like the dark souls games, which is weird because I like a lot of Fromsoft's output outside of dark souls. The king's field games, armored core, echo nights, demon's souls, bloodborne. I thought Sekiro was okay, not that great though. Dark souls just bores me because everything revolves around the combat, and the combat is so damn shallow and slow. The exploration is not as good as king's field, and Demon's Souls had the exact same shallow combat but it focused more on exploring the levels and figuring out how things worked, like an adventure game or something like zelda rather than a full blown action RPG. Combat was just the way you interacted with the world.
Bloodborne is kinda shallow as well, but it makes up for it with a legitimately interesting setting instead of just zombie apocalypse in the middle ages, and with it being generally faster & more engaging. Dark Souls relies on the promise of eventually maybe showing you some crazy shit if you go deep enough in it, but it only fulfilled that promise in the abyss of DS1 where the enemies are just stationary humanity sprites creepily hanging around. Everything else those games show you has been done before in Diablo lol.
The climax of Demon's Souls was fucking crazy compared to anything in the DS games, because it conveyed visually how pointless the struggle for life is. The scenery for the "final battle" is just a peaceful beach, where an incomprehensible creature needs to be lulled back to sleep by loving embrace. Reality is held together by human totems of which only one is left alive anymore (two if you pick the good ending), and it's implied that the Old One had been put to slumber thousands of times before just through the number of swords that were dropped onto that beach. Even the final boss is just a sentient ant monster, desperately trying to stop you from reaching the old one in order to genocide humanity to give them peace. (He is actually the true ruler of Boletaria, the one you meet in-game is just a demon taking on his form.)
Hell Demon's Souls even had an interesting theme about Demons just being a manifestation of whatever humans would place their faith in. Everything that Dark Souls did, was already done before in a much more poignant way by Demon's Souls.
Not that there's anything wrong with Griffith's plot. You could easily rewrite Griffith's story in the modern era as some poor kid who sold his soul to Hollywood, sacrificed his entire family & friends to Global-Cabal in order to attain power, and now has a huge propaganda media arm constantly brainwashing the masses into believing that Griffith is a savior. There's just one loose end, Guts. The man who knows the truth behind it all, coz he refused to die. Damn that's an interesting plot, too bad it'll never have an ending. Not one by Miura anyway, and I don't trust anyone else to finish Miura's work.
There's reason to believe that Miura actually knew he was going to die, and planned ahead for it. For once, his employees actually had life long contracts, which is nearly unprecedented in the manga industry.
Secondly, he already commissioned a manga running which was handled by his employees/assistants, with minimal input from him.
https://mangakakalot.com/read-sn5xv158524486373
It's actually pretty good, I hope it doesen't get dropped.
Someone compiled all of his recent comments and they definetly sound like the words of a dying man. He would constantly mention how he barely got to see real sunlight, or the outside world anymore. I'm too lazy to look them up now, but it's some crazy depressing shit.
One of his assistants recently tweeted, "I'll do my best", implying they might pick up the slack of finishing berserk.
At this point I believe his notorious lazyness was probably a cover story for his health issues. I can't know for sure though.
It's crazy to think that both Go Nagai (devilman was a direct inspiration for berserk, and miura's style in general) and Leiji Matsumoto survived Miura. Matsumoto almost died in Italy lol, he survived and went back to Japan and was still healthy enough to donate money to the Turin hospital that saved his life. I actually got to meet Go Nagai, while I made plans to meet Matsumoto but he fell ill coming to the event I was planning to meet him at. It's a shame, because both of them actually had a huge influence on my childhood and how I understand the concept of being a man. Italian and Japanese cultures are more similar than one would think, which explains why the Japanese actually get into purely italian stuff like italian soccer, or the whole catholic aesthetic. (Everyone outside of Italy has no fucking clue about Catholicism. They're all larpers.)
Anyway, the most interesting part about the more recent Berserk setting is that Griffith legitimately succeeded in creating a Utopia. Guts really is the only person who knows that said Utopia, was built on the corpses of everyone he ever held dear, and that his lust for power is built at least in part over sexual insecurities. (Which is very paradise lost.)
Guts had every right to vengance, for his fallen comrades. But would it be worth plunging the world into chaos once again? Would Guts killing Griffith, cause more victims through the destruction of the society he created & held together than Griffith himself sacrificed?
The Skull knight is a reflection of what Guts could become, because he has transcended humanity in order to fulfill his vengance against one of the God Hand through the ages. Which would also point to his quest being hopeless, and doomed to go on forever until both Guts and Griffith have transcended the current phisical reality, or historical context.
I agree that it's a huge shame we'll never get to see how Miura planned to conclude this conflict. I will still read the conclusion of his employees actually get to draw it though.