Killer7 SINdicate

The series ended with Dracula and Lisa revived with Vlad not being all genocidal anymore. Camilla is dead. Death is dead. Isaac is nice now. At the rate they're going the RoB/SotN era will just have Shaft or Olrox or some OC be the big villain.

Jaladen wrote: ↑Sun Jun 13, 2021 12:36 am The series ended with Dracula and Lisa revived with Vlad not being all genocidal anymore. Camilla is dead. Death is dead. Isaac is nice now. At the rate they're going the RoB/SotN era will just have Shaft or Olrox or some OC be the big villain.

They'll just reincarnate Camilla, and rekill Dracul's bitch. CV bosses die all the time but they never stay dead, except Bathory from Bloodlines.

How did you not know that they already renewed the series, and Richter is now Trevor's kid, lol!
https://gizmodo.com/netflixs-castlevani ... 1847080625

If Alucard's timeline seems to be what they're going with, I wonder if they'll ever make it up to Shanoa's series? Ecclesia happens after SOTN & Rondo. Not that it matters, they're just turn Shanoa into a Black or Mexican chick or something, that makes zero sense. The only reason why I don't give a fuck with Issac is coz I don't know who the fuck Issac is. I never played the PS2 shit.

Season 4 was entertaining to me, because it was nothing but mindless violence.

I'm still laughing that the writers unintentionally wrote Camilla as a tactical-strategist retard who meets her own end by hilariously over extending her kingdom. Her dreamworld is similar to Richard Spencer's dreamworld of a White Pan-Aryan society stemming all the way from the USA, UK, Russia, and Rome.
It's like "yo mang, anyone ever fucking tell you that you're a fucking idiot?"


Now if only the two lesbo vamps could've been crucified too but at least it's way better than Alucard homobuttsex rape.
Season 4 was fucking gold though

These motherfuckers seriously wrote that shit, and told themselves "yeah papi, this is good dialogue."
I was laughing all throughout Season 4 because it's filled with retarded bullshit.

That death scene had me laughing non stop. The writers didn't give a shit at all.
Or so I'd assume, but judging from the comments, a lot of people thought this scene was sad? WTH? I really don't understand modern Westerners. They don't seem to be fully developed humans, everything makes them cry. Lenore was obviously being written out simply coz the writer wanted to write her out of the story. How could that be sad when it's so transparent?
This skit describes what I thought of CV S04's writing, lol.

Nearly everythign that happens in Castlevania, doesn't need to happen. It just does, coz the writers said so. The stories don't follow an internal logic, so the story doesn't feel real or immersive. It's one of those it's so fucking bad that it's entertaining how bad it is.


It's retarded but it's amusing. I din't like Season 3 coz it got way too social-political, and I'm sick & tired of USA's homosexual/tranny agenda being forced on to me. (Even pornsites force Tranny videos on you.)
Season 4 just went FUCK it, lets kill everyone off except for the lead characters and FUCK FUCK FUCK FUCK SHIT SHIT SHIT SHIT SHIT FUCK FUCK FUCK FUCK!
I ain't even exaggerating, Everyone says shit & fuck in CV even Sypha lol!


If you actually wanted to do Castlevania justice, you'd do it like Aeon Flux & make it like a music video where the actions dictate the plot, and the actions are accompanied by in-game CV music.

It's fucking annoying how damn near every videogame adaption, always ignores videogame conventions and instead tries to make a coherent movie narrative, off of a fucking video game. Of course it won't work!

The Resident Evil movies did it right. The movies play out exactly like the video games to the point that you almost feel as if you're playing the movie yourself.




I was looking for the Helicopter scene which had the most badass techno music that sounded like it came from RE Mercs.
It's just too bad that the Resident Evil fanbase are so pretentious that they won't feel that a movie is accurate to the games unless you make it like Walking Dead where the "real monsters IZ hooomans!"
Never mind that the games were never anything like Walking Dead to begin with, but the COnSOOOMERS DEMAND IT!

That's the real problem with videogame to movie adaptions. The actual fans of the games, want the movie adaptions to be like a movie version of other movies or comic books, AYY LMAO!
Fucking morons!

The ones posting about Lenore are the same sorts who call Super Kangz (Black Panther) high art I'm sure. Hector was an irrevelant character when all was said and done seeing as how he never really accomplished something.

It's just too bad that the Resident Evil fanbase are so pretentious that they won't feel that a movie is accurate to the games unless you make it like Walking Dead where the "real monsters IZ hooomans!"


Hilariously enough, the comic ended with "humans are the real monsters" shit over and over only to cop-out with "and then the global genocide led to woke cowboy paradise where there's no notable religion and a woman president and niggers fucking white women." I find this a rather telling example of both Leftoid disdain for the mass of men and a Leftoid admitting he'd have to kill off a large chunk of the world to ever build his ultimate woke world.

It's amusing that the sorts who unironically call themselves nihilists or say they hate humans are also the sorts who'd object at calling a Congo dweller a Nigger or saying gays should be shoved in closets or thrown in bogs. "Ugh I hate humans I hate this world I hate being alive also BLM @Resistance ugh I'm cooming."

Repulsive American fujoshit with the same relation to the games as a Big Mac has to a cow.
I understand Warren Ellis was involved. Gen X strikes again.

I watched all of this show and didn't really enjoy any of it for what it was. It's a very good case-study of the bad media of our time though. Worth seeing just to appreciate how you can screw something like this up. Animation is serious work, a lot of man-hours would have gone into creating four seasons of this show and what was it all for? The closest thing we have to a persistent creative vision across all seasons is a desire for an immature autist to smash his stupid OCs together like action figures. I couldn't detect any real interest in the castlevania games, the multimedia lore of the character of dracula, human drama, or even good action filmmaking. This felt like the creation of someone interested in Dragon Ball Z and shit edgy western comic books who just kind of fell into the job. And even then he isn't allowed to create his whole stupid juvenile vision. Obvious executive oversight end to end too. This thing was doomed to be bad after the writer they chose got attached to the project, but it's made so much worse by nonsensical plot structuring that had to have been the result of someone not creatively involved say "this plot has to end here, you need a standalone plot here, everything has to wrap up here."

Nothing that happens in Netflixvania really has rhyme or reason to it beyond being pleasing to a certain kind of stupid perverted nerd, but it really gets egregious when pretty much every character and plot's resolution takes the form of some kind of sudden revelation that isn't connected to anything that happened beforehand, though they do try to convince you it was building up to these things by pretty much having characters say "wow i learned a lot over the course of all of these meaningful things i've been doing all season". They say that but almost nothing of note happens in this show. It's incredible. Season 2, all about the big climactic fight with dracula, puts the protagonists in a basement for 90% of the runtime so we can focus on our awesome new Vampire OCs being edgy badasses (nothing of note comes of anything they do either of course, they just pose, fight and monologue because the writer is enamoured with his creations just wants to jerk them off, they don't serve any greater creative purpose, what you see is what you get scene by scene. and these are some shitty scenes.)

You can knock this whole show to pieces just by asking what the greater meaning of any particular element is. Why is Dracula a moody reclusive enlightenment figure at the start of the series? are Vampires standing in for some kind of aristocracy, are they standing in for the exceptionally sensitive (in the vein of Cronenberg's 'Scanners' maybe?), is this show an atheist polemic? Any of these could have worked, but it's none. The writer had a self-contained idea of an unjust public burning being a part of a character's tragic backstory, and that was it. He didn't even go to the trouble of having this burning make sense. Unlike a lot of critics i don't think this show had a strong atheistic streak, the writer simply made the churchmen completely retarded because that was the easiest way to get his plot rolling. Just within the first season churchmen are hideously corrupt people carrying out the worst injustices, but they're also apparently the approved guardians of true divine power and are granted power from above that lets them cast evil back into hell. Someone could take the elements in this story and make something very interesting about the relationship between religion, god, the good, science and secular progress, etc, but this show doesn't give a shit about these things. They're all shallow props to create disjointed one-off scenes that the writer thinks will look cool. Because of this trying to find rhyme or reason in this show will drive you insane. Nothing means anything but exactly what you're looking at. Stupid people burning the woman just means stupid people burning the woman because they're stupid and dracula needs something to get mad about.

This whole show offends me because it's stupid. It's a hideous waste to have this much human effort and industry hitched up behind such a weak, stupid and aimless creative vision.